Music

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Do You Know What You Are Singing? Lily of the Valley Part 3

“A wall of fire about me, I’ve nothing now to fear.”

 

 If I were surrounded by fire, I would probably be scared to death.  Obviously this figure is meant in an entirely different way.

 And I will be to her a wall of fire all around, declares the LORD, and I will be the glory in her midst, Zech 2:5.

 Zechariah was a minor prophet who prophesied shortly after Haggai.  In fact, you can think of him as writing the sequel to that prophet’s book, Homer Hailey once said.  The Jews have returned from Babylon and are in the midst of rebuilding the Temple.  Zechariah’s job was not only to encourage them to finish the task, but to look ahead to the glorious coming of the promised kingdom.  But here they were, a small remnant (42,360, Neh 7:66, out of an estimated million in Babylon), with no armies, no weapons, and not even a wall around their old city. 

 In the vision Zechariah sees a young man trying to measure the city, as if it were a finite place.  In verse 4 God says Run, say to that young man, ‘Jerusalem shall be inhabited as villages without walls, because of the multitude of people and livestock in it.

 “My kingdom is not of this world,” Jesus told Pilate.  It would not be a physical, measurable location at all.  The Jerusalem God had in mind was one too big for walls.  It is open to multitudes of peoples.  And the only wall it needs is the protection of God Himself.

 The Hebrew writer calls the church “the heavenly Jerusalem.”  We are in that city and we do not need stone walls or mighty weapons of war.  We have “a wall of fire about” us in the person of the Almighty God.  That fire represents not just the protection, but also the glory of our Savior.  Even as we approach what could be a new era of persecution in our country, if we have faith in those promises, what have we to fear?

 Of all the old hymns we sing, I can’t think of another with as many scriptural references as The Lily of the Valley, over forty if you count them all.  Wouldn’t it be a shame to assign this one to the trash pile just because it doesn’t have modern rhythms or harmonies?  And isn’t it shameful to us if we can’t understand what these lyrics mean?  Jesus should be to us and to our descendants in ages to come “the fairest of ten thousand” to our souls, and God “a wall of fire about” us.

 

What is it then? I will pray with the spirit, and I will pray with the understanding also: I will sing with the spirit, and I will sing with the understanding also, 1 Cor 14:15.

 

Dene Ward

Do You Know What You Are Singing? Lily of the Valley Part 2

He’s the Lily of the Valley, the Bright and Morningstar,

He’s the fairest of ten thousand to my soul.

 

 Three phrases, three passages, two in the same book.  This will take some explanation.

 The old view says that the Song of Solomon was an allegory of Christ and the church.  Fewer people accept that any longer, and though it may have sparked the original lyrics, I am not certain they were meant in precisely that way.  For one thing, the analogy doesn’t hold up.

 I am a rose of Sharon, a lily of the valley, Song of Solomon 2:1.

 My beloved is white and ruddy, The chiefest among ten thousand, Song of Solomon 5:10.

 In the first passage, the shepherdess is talking about herself.  In the second, the shepherdess is speaking about her beloved, the shepherd (or Solomon if you prefer that interpretation of the book).  Those passages are about two different people in the narrative, so how could the poet be following the old interpretation of Christ and the church in the hymn if the analogy does not hold up? 

 Here is the point we are so bad about seeing sometimes:  they are figures of speech.  The lyricist has borrowed various phrases out of the Bible to depict how wonderful Christ is to the believer.  Did you catch the Rose of Sharon reference too?  These are poetic metaphors.  Making literal arguments from figures of speech is something we ridicule our religious neighbors for doing.  Why do we?  Jesus is like a beautiful flower.  He is so fair (as in “Fairest Lord Jesus” too, by the way) we could say he is the fairest among ten thousand. 

 Does that mean number 10,001 is fairer than he is?  Of course not, not any more than the other phrase means he has a stem and petals.  None of these is meant to be taken literally whether you believe in the allegorical version of the Song of Solomon or not.  As it happens, I don’t.  I believe it is in there to show us how to order our romantic marital love.  If that isn’t what it’s about, then God left something awfully important out of the Bible and I don’t believe that for a minute.  He tells us too many times that it contains everything we could possibly need in any circumstance.  And if Paul can talk about the church being the “bride of Christ” why can’t I use these terms for my spiritual “husband?”

 Then we have the “Bright and Morningstar.”  What is that all about?  Balaam prophesied, “There shall come forth a star out of Jacob,” Num 24:17.  Peter tells us, “And we have the prophetic word more fully confirmed, to which you will do well to pay attention as to a lamp shining in a dark place, until the day dawns and the morning star rises in your hearts,” 2 Pet 1:19.  The Morningstar, or daystar, was a bright star that appeared just before dawn at certain times of the year, Venus I read in one place, which at other times of the year is the Evening Star.  Jesus is our Morningstar. He appeared before the coming of his kingdom, the “day” Joel speaks of in Joel 2.  He will appear again on the “day” he takes us to our promised rest.  When we accept him in our hearts by our obedience, he “appears” to us individually (and figuratively) on that “day” as we enter his spiritual body.  Take your pick of interpretations and “days.”  Any of them satisfy the metaphor.

 That leaves us with just one more wonderful phrase to cover next time, a promise that should encourage us all.  But for now, dwell on these a little while.  Is Christ that important to you?  Is he that beautiful to you?  Would these figures of speech rise from your lips?  Or are we a little too ignorant of the Word and a lot too embarrassed to say such syrupy words about a Savior who gave up everything for us?

 

Dene Ward

 

 

Do You Know What You Are Singing? Lily of the Valley Part 1

I have found a friend in Jesus, He’s everything to me,
He’s the fairest of ten thousand to my soul;
The Lily of the Valley, in Him alone I see
All I need to cleanse and make me fully whole.
In sorrow He’s my comfort, in trouble He’s my stay;
He tells me every care on Him to roll.


    • Refrain:
      He’s the Lily of the Valley, the Bright and Morning Star,
      He’s the fairest of ten thousand to my soul.


He all my grief has taken, and all my sorrows borne;
In temptation He’s my strong and mighty tow’r;
I have all for Him forsaken, and all my idols torn
From my heart and now He keeps me by His pow’r.
Though all the world forsake me, and Satan tempt me sore,
Through Jesus I shall safely reach the goal.

(Refrain)


He’ll never, never leave me, nor yet forsake me here,
While I live by faith and do His blessed will;
A wall of fire about me, I’ve nothing now to fear,
With His manna He my hungry soul shall fill.
Then sweeping up to glory to see His blessed face,
Where rivers of delight shall ever roll.

(Refrain)

 

 I bet you have sung that song all your life.  It’s one of those old ones that so many sneer at nowadays.  Yet this song does something very few of the new ones can. It contains a different scriptural reference in nearly every line.  Take a minute and look at the song.  Can you find them?  Here is the shame on us—in the days when this song was written, everyone who claimed to be a Christian, even some we would not classify as “New Testament Christians,” could find them all—they knew their scriptures that well--while we sit here at best thinking, “That sounds vaguely familiar.”

 Obviously I don’t have space to go over them all.  Let me do the obvious ones quickly, and then we will spend two more sessions on the rest.

 “I have found a friend in Jesus,” Matt 11:19.

 “All I need to cleanse and make me fully whole,” 1 John 1:7; Acts 9:34.

 “In sorrow he’s my comfort, in trouble he’s my stay;” you will find this sentiment all over the psalms and the prophets, too many to list.

 “He tells me every care on him to roll,” 1 Pet 5:7.

 “He all my griefs has taken and all my sorrows borne,” Isa 53:4.

 “He’s my strong and mighty tower,” Psa 61:3.

 “I have all for him forsaken and all my idols torn from my heart,” Ezek 36:25; Hos 14:3,4.

 “He keeps me by his power,” 1 Pet 1:5.

 “Through Jesus I shall safely reach the goal,” Phil 3:14.

 “He will never never leave me, nor yet forsake me here,” Heb 13:5.

 “While I live by faith” Hab 2:4; Rom 1:17; Gal 3:11; Heb 10:38.

 “Do his blessed will” Matt 7:21.

 “With his manna he my hungry soul shall fill,” nearly two dozen verses from Exodus 16 to John 6 along with Matt 5:6.

 “To see his blessed face,” Rev 22:4.

 Did you catch all those?  I defy you to find more than a few songs written after 1960 that have that many scriptural references in them, unless they repeat one Biblical phrase over and over, or are lifted whole cloth out of the scriptures.  It’s time we learned what those old songs were about before we go throwing them out just because we think them “old” and “archaic” and “boring.”  Maybe they wouldn’t be so difficult to understand if we knew God’s Word like we ought to. 

 And these phrases were just the easy ones, the ones you can probably figure out for yourself with no help.  In the next two days, the two remaining posts on this hymn will begin to get a little more difficult.  While you wait for those, though, spend a little time with the scriptures listed above and ask yourself, “Could I even begin to do the job this poet did?” 

 

Dene Ward

Do You Know What You Are Singing? The Great Physician

Sweetest note in seraph song,

Sweetest name on mortal tongue.

 

 Do you know what a seraph is?  I bet you have heard the word “seraphim” before and know it is a kind of angel.  But even that is not quite right.

 In English we form plurals in several different ways:  “s,” “es”, “ies”, plus those plurals that are Latin derivatives where “is” becomes “es” (analysis/analyses), “um” becomes “a” (memorandum/memoranda), and “us” becomes “i” (cactus/cacti). 

 One way to form a plural in Hebrew is to add “im.”  So there is one seraph and more than one seraphim, one cherub and more than one cherubim.  A “seraph” song is a song a seraph, or several seraphim, might sing.

 We don’t really know a whole lot about angelic beings.  I can tell you one thing, though:  they don’t look like chubby little naked flying babies with wings, shooting bows and arrows!

 The only word picture I could find of seraphim is of those around the throne of God in Isaiah’s vision of chapter 6.  They are anything but “cute.”  Those seraphim had six wings.  When they spoke the threshold of the Temple shook and smoke filled the rooms.  Those creatures could hold live coals in their hands.  John said the angels around God’s throne were “mighty,” Rev 5:2.  I do not know if those were seraphim or not, but they stood in the same place as Isaiah’s seraphim. 

 As to angels singing about Jesus, is that scriptural?

 And suddenly there was with the angel a multitude of the heavenly host praising God and saying, “Glory to God in the highest, and on earth peace among those with whom he is pleased!” Luke 2:13,14.

 Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice, “Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing!” Rev 5:11,12.  Earlier, in verse 9, John calls what they were doing “singing.”

 So from his birth to his ascension and afterward the angels sang about Jesus.  Seraphim, cherubim, archangels, whatever--I doubt any refused, do you?

 But here is the point of the song:  what our Savior did for us is so glorious, so marvelous, so gracious and good that everyone should be singing his praises, whether “seraph” or “mortal.”

 It is sad that our books do not contain the following verse to this song:

 

 And when to that bright world above

 We rise to be with Jesus,

 We’ll sing around the throne of love,

 His Name—the Name of Jesus.

 

Isn’t it an appropriate idea that where the seraphim stand guard over the throne of God, singing, we will also stand, singing praise to the Great Physician?

 

After these things I saw, and behold, a great multitude, which no man could number, out of every nation and of [all] tribes and peoples and tongues, standing before the throne and before the Lamb, arrayed in white robes, and palms in their hands; and they cry with a great voice, saying, Salvation unto our God who sitteth on the throne, and unto the Lamb. And all the angels were standing round about the throne, and [about] the elders and the four living creatures; and they fell before the throne on their faces, and worshipped God, saying, Amen: Blessing, and glory, and wisdom, and thanksgiving, and honor, and power, and might, [be] unto our God for ever and ever. Amen. Rev 7:9-12.

 

Dene Ward

Do You Know What You Are Singing? The Great Physician

Sweetest note in seraph song,

Sweetest name on mortal tongue.

 

 Do you know what a seraph is?  I bet you have heard the word “seraphim” before and know it is a kind of angel.  But even that is not quite right.

 In English we form plurals in several different ways:  “s,” “es”, “ies”, plus those plurals that are Latin derivatives where “is” becomes “es” (analysis/analyses), “um” becomes “a” (memorandum/memoranda), and “us” becomes “i” (cactus/cacti). 

 One way to form a plural in Hebrew is to add “im.”  So there is one seraph and more than one seraphim, one cherub and more than one cherubim.  A “seraph” song is a song a seraph, or several seraphim, might sing.

 We don’t really know a whole lot about angelic beings.  I can tell you one thing, though:  they don’t look like chubby little naked flying babies with wings shooting bows and arrows!

 The only word picture I could find of seraphim is of those around the throne of God in Isaiah’s vision of chapter 6.  They are anything but “cute.”  Those seraphim had six wings.  When they spoke the threshold of the Temple shook and smoke filled the rooms.  Those creatures could hold live coals in their hands.  John said the angels around God’s throne were “mighty,” Rev 5:2.  I do not know if those were seraphim or not, but they stood in the same place as Isaiah’s seraphim. 

 As to angels singing about Jesus, is that scriptural?

 And suddenly there was with the angel a multitude of the heavenly host praising God and saying, “Glory to God in the highest, and on earth peace among those with whom he is pleased!” Luke 2:13,14.

 Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice, “Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing!” Rev 5:11,12.  Earlier, in verse 9, John calls what they were doing “singing.”

 So from his birth to his ascension and afterward the angels sang about Jesus.  Seraphim, cherubim, archangels, whatever--I doubt any refused, do you?

 But here is the point of the song:  what our Savior did for us is so glorious, so marvelous, so gracious and good that everyone should be singing his praises, whether “seraph” or “mortal.”

 It is sad that our books do not contain the following verse to this song:

 

 And when to that bright world above

 We rise to be with Jesus,

 We’ll sing around the throne of love,

 His Name—the Name of Jesus.

 

Isn’t it an appropriate idea that where the seraphim stand guard over the throne of God, singing, we will also stand, singing praise to the Great Physician?

 

After these things I saw, and behold, a great multitude, which no man could number, out of every nation and of [all] tribes and peoples and tongues, standing before the throne and before the Lamb, arrayed in white robes, and palms in their hands; and they cry with a great voice, saying, Salvation unto our God who sits on the throne, and unto the Lamb. And all the angels were standing round about the throne, and [about] the elders and the four living creatures; and they fell before the throne on their faces, and worshipped God, saying, Amen: Blessing, and glory, and wisdom, and thanksgiving, and honor, and power, and might, [be] unto our God for ever and ever. Amen. Rev 7:9-12.

 

Dene Ward

A Bucket of Cold Water

Oh come, let us sing to the LORD; let us make a joyful noise to the rock of our salvation! Let us come into his presence with thanksgiving; let us make a joyful noise to him with songs of praise!  Psalm 95:1,2.

 

 Psalm 95 is generally thought to have been one sung during the Feast of Tabernacles.  Meribah and Massah are used in its body, a time in the wilderness when God taught His people a hard lesson.  But this psalm starts just as you would expect a festival psalm to.  Come let us sing, let us make a joyful noise. 

 Just as an interesting point, the Hebrew word translated “sing” in this passage is not a musical word.  Ranan means to emit a stridulous sound (not exactly how I would want my singing described) or to shout, and is indeed translated shout, cry out, rejoice, joy, or triumph half the time in the KJV.  And that makes that opening couplet much more parallel to the second one, “make a joyful noise to him.” 

 About that “joyful noise:” that particular Hebrew word means to mar, especially by breaking, to shout, or to split the ears.  In our words we might say, “He burst my eardrums he was so loud.”  Think about standing at a football stadium in the middle of the game, or beneath a jet engine as it revs for take-off.  That’s the noise we are talking about.  In fact, this word is translated “blow an alarm [with a trumpet]” a couple of times.  As the second verse continues, we are to do this in psalms of praise so singing is involved, but the point of these two words is not the melody but the volume, caused by unabashed joy and celebration.

 You find this often in the psalms.  Noise and clamor seemed to be a part of the Jewish worship.  Perhaps the psalmist, and God as his inspiration, had noticed.  Right in the middle of the psalm, he throws what amounts to a cold bucket of water on all the festivities. 

 Their celebration of the feast had made them forget what the wandering was all about—and it wasn’t fun and games.  An entire generation died because of their faithlessness.  Toward the end of verse 7 he interrupts their self-congratulation that God loves them and cares for them with, Today, if you hear his voice, do not harden your hearts, as at Meribah, as on the day at Massah in the wilderness, when your fathers put me to the test and put me to the proof.   

 Yes, God made a covenant that He would be with them and protect them, but only if they performed their half of the contract.  Their ancestors did not.  God goes on to say that He loathed that generation.  That English word, I am told, is far too mild for the Hebrew idea.  It means they disgusted Him, they nauseated Him, as in “I will spew you out of my mouth” nausea.  Because of that, they did not receive the promised rest, a rest like God’s, a Sabbath rest not because you are tired, but because have finished the task (Heb 4:1-11).

 Those people seemed to think, as the prophets testified, that all it took was loud worship to please God.  The tendency is to judge our own worship as lacking because of this, too.  We ask, “Why don’t we ever do that?” as if anything solemn and quiet is not sincere worship and certainly not acceptable to God.  It is easy to think, as they did, that volume is all that matters. 

 “If you hear his voice” the psalmist says and then makes it clear that hearing involves reverence and obedience.  In order to underscore this emphasis, the psalmist does not go back and say, “Okay, get on with the celebration now.  I just wanted to interject a warning.”  No, this is where he ends it.  He wants this to be the last thing on their minds as they finish singing this psalm:  Therefore I swore in my wrath, they shall not enter into my rest.”

 What started out as a jubilant service ends up with the wrath of God.  I am sure their songs were not quite so ecstatic, their noise not quite so loud, for who can be carefree when he contemplates the wrath of the Almighty, the one the psalmist has already reminded us created everything and holds it in His hand? 

 

Take away from me the noise of your songs; for I will not hear the melody of your viols. But let justice roll down as waters, and righteousness as a mighty stream, Amos 5:23,24.

 

Dene Ward.

 

Do You Know What You Are Singing? Wonderful Love of Jesus

“Wonderful Love of Jesus” is an early 20th century hymn I remember singing often as a child.  But I must admit, I never knew what in the world was “lying around” when we sang “in vain in high and holy lays.”  Even as a musician who knows that a “lay” is a song, it took me decades to actually associate that with this hymn and understand what it meant.

            A “high and holy lay” is a sacred song, what we would call a hymn.  Even with that tidbit of knowledge it takes a little thinking to make sense of that first verse.

           

            In vain in high and holy lays

            My soul her grateful voice would raise,

            For who can sing the worthy praise of the

            Wonderful love of Jesus?

 

It is impossible for human voices, even singing the holiest songs they can compose, to praise the love of Christ as much as it deserves.  All our efforts are “in vain.”  That’s what it means.

            How can it have taken so long for me to figure it out when the scriptures are full of the same thought?

            Praise Jehovah. Oh give thanks unto Jehovah; for he is good; For his lovingkindness [endures] for ever. Who can utter the mighty acts of Jehovah, Or show forth all his praise? Psalm 106:1,2.

            You have multiplied, O LORD my God, your wondrous deeds and your thoughts toward us; none can compare with you! I will proclaim and tell of them, yet they are more than can be told. Psalm 40:5.

            My mouth will tell of your righteous acts, of your deeds of salvation all the day, for their number is past my knowledge. Psalm 71:15

            Oh, the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways! “For who has known the mind of the Lord, or who has been his counselor?” “Or who has given a gift to him that he might be repaid? Rom 11:33-35.

            As you can see, it isn’t just the love of God we cannot speak adequately of, but also His wisdom, His righteousness, and His mighty works.  If ever there was a hymn of humility it is this one.  We, who cannot even begin to fully comprehend any of the Godhead, are loved by them in such an amazing way that it cannot be praised as it deserves.  We do so “in vain,” yet our gratitude continues to compel us to try, and so we do with songs like this one.  It may be “high and holy” but it is not equal to the task. 

            Yet now that I know what I am singing, I can hardly wait to sing it again.

 

[That you] may have strength to comprehend with all the saints what is the breadth and length and height and depth, and to know the love of Christ that surpasses knowledge, that you may be filled with all the fullness of God. Eph 3:18, 19.

 

Dene Ward

Do You Know What You Are Singing? “A Mighty Fortress”

For people who are quick to quote John 4:24, that our worship must be “in spirit and in truth” and then simplify that to doing right things with the right attitude, which only begins to touch that statement, we certainly do a lot of “worshipping that which we know not” (4:22). 

            So tell me, when you sing “A Mighty Fortress” and you reach the second verse, what exactly do you think you are calling the Lord when you sing, “Lord Sabaoth his name?”  No, it is not “Lord of the Sabbath,” which is what I thought for many years

            Sabaoth is the Greek transliteration of the Hebrew word Tzebhaoth.  I don’t even pretend to be a Greek or Hebrew scholar, but I can read English fairly well.  The word means armies or hosts.  In fact, it can even refer to a specific campaign the army might be involved in at any given time.  It is above all a military word.  So any time you see “Lord of hosts” in your Bible you are seeing the word Sabaoth or Tzebhaoth, depending upon whether you are reading the Old Testament or the New.

            I cannot find the actual Hebrew word un-translated in any English version of the Old Testament—it is always converted to “LORD of hosts” or “Jehovah of hosts.”  But you can find Sabaoth un-translated in the older versions of the New Testament in Romans 9:29 and James 5:4. 

            And Isaiah cries concerning Israel, If the number of the children of Israel be as the sand of the sea, it is the remnant that shall be saved: for the Lord will execute [his] word upon the earth, finishing it and cutting it short. And, as Isaiah hath said before, Except the Lord of Sabaoth had left us a seed, We had become as Sodom, and had been made like unto Gomorrah, Rom 9:27-29.

            This passage is twice as powerful when you understand the meaning of the word.  The Lord, who commands all the powers and armies of the universe, could easily have wiped Israel off the earth.  But in His mercy, He spared a remnant, Isaiah says.  Paul’s point is that God has in the past come close to obliterating the Jewish race, and He will have no trouble doing it again if necessary.  That’s the kind of power He has.

            Behold, the hire of the laborers who mowed your fields, which is of you kept back by fraud, cries out: and the criesB of them that reaped have entered into the ears of the Lord of Sabaoth, James 5:4.

            This passage makes you just as shivery.  Anyone who cheats the laborers of their hire should remember that the Lord of Sabaoth hears their cry and is there to defend them.  Do you really want the Lord of hosts with all His armies of angels and spiritual beings fighting you?

            Now look back at the song.  “For still our ancient foe doth seek to work us woe; his craft and power are great, and, armed with cruel hate, on earth is not his equal.”  That may well be said about Satan, but we have Lord Sabaoth on our side—the Lord of hosts, the commander of all the spiritual forces of good “and He must win the battle.” 

            We miss so much when we don’t care enough to research the songs we are singing.  In fact, I have heard people complain about “all this archaic language.”  If it’s in the Bible, people, we ought to care, and if we believe all those pet scriptures we always quote, we will want to “sing with the spirit and the understanding,” 1 Cor 14:24.  The context of that passage may be spiritual gifts, but the meaning in every context is that what we sing must be understandable and edifying, and that requires some effort on our parts, not simply deleting certain hymns from our repertoire because we don't understand them and won't work to find out what they mean.  All those "ignorant" people, as we call them, hundreds of years ago knew what they meant. 

Let’s see if we can practice what we preach.

 

The LORD of hosts is with us; the God of Jacob is our fortress. — Selah, Psa 46:7.

 

Dene Ward

 

Lessons from the Studio--He Knows Who You Are

Many years ago my students and I were at State Contest.  It was the Big Deal for my studio, and probably the reason for my waiting list.  The trip was the reward whether you won anything or not, but many did win and their pictures in the weekly paper made free advertising for the studio.

     First they had to play at the district level.  Only superiors were allowed to go to state.  However, you could participate in more than one event.  Voice students could sing in art song and musical theater.  Piano students participated in piano solo, piano concerto, piano duet, and piano trio.  If a student made more than one superior, then they played in more than one event at the State level too, some as many as 4 or 5.  Of course that meant that they often had schedule conflicts, with several events scheduled close together or even at the same time.  The people in charge understood this and put up signup sheets outside the performance rooms.  That is the order of performance that the judges went by.  A student might sign up to be first in one room and last in the other in order to make it to the correct room on time.  If they did not show up, they were marked "withdrawn."

     One year I had students playing in so many events that I felt like an Air Traffic Controller at O'Hare.  I had several to accompany as well, and had to count on them all to follow the plan we had drawn up.  Since most were veterans instead of rookies, I wasn't too worried.  Then I came out of the vocal room after accompanying a half dozen events and found three or four of my piano students waiting on me with tears of desperation in their eyes.  "Mrs. Ward!  That woman won't let us in to play!" 

     Every room has a monitor to gofer for the judges and to control the flow of traffic into and out of the room so the door only opens between performances instead of in the middle of one.  So I had them lead me to the room in question.  Understand, every teacher who brought students had to serve a four hour work stint somewhere—registration, monitoring, serving judges' meals, whatever—or have a parent take their place.  Since I had to accompany so many, one of my parents had filled my spot elsewhere.  When I got to the room in question, the monitor was indeed another teacher.  She sat smugly on her stool outside the door.  This is the woman who had not let my students in even though they had shown her their names on the signup sheet and had told her they had a schedule conflict and were just now arriving.  Somehow, though, her students had gotten into the room.

     I walked up to her and started to ask why my students were not allowed in, but I did not get to finish.  She had seen my nametag.  She knew I was not just another teacher—I was the State Vice-President!  About then, the piano music inside the room stopped.  I knew that piece because some of my students played it, so I knew it was finished.  "Of course they can come in," she said sweetly, and opened the door for us.  Only one more duet team played before mine—if I had not come, they would have been marked withdrawn!  At our next state meeting, we came up with something to keep that from happening again.

     For the 30+ years I taught, I treated those students like they were my own children.  No one was going to mess with my kids!  It's that old Mama Bear feeling that we get with our own children and grandchildren.  Keith has been teaching Revelation recently and we came across something that makes me know God has a Mama Bear side too.  We all know about the mark of the beast in that book.  For some reason that is the only mark the world wants to talk about, especially in books and movies.  But how many of us realize that there is also a mark that God puts on the heads of His own?  And I saw, and behold, the Lamb standing on the mount Zion, and with him a hundred and forty and four thousand, having his name, and the name of his Father, written on their foreheads Rev14:1.

      Ezekiel talks about a mark as well, one for those who sigh and cry over all the abominations done, Ezek 9:4.  God knows who His people are.  He cares for you, just like a Mama does for her babies.  When I went down that hall that day with all those students following me like the neighborhood ducklings follow their Mamas, that teacher knew, even if she had not recognized my name and position, that I was there for them and she could no longer bully them around.

     Sometimes the world treats us unfairly.  Sometimes our neighbors gossip and indulge in character assassination.  Sometimes our families don't understand our first allegiance to God and His people.  But through all the turmoil and suffering, some of which may get much worse in the near future, God knows who we are and where we are.  He doesn't always save us from ugly things, but He helps us get through them and will eventually take us to live with Him because of our trust and loyalty to Him.  Remember that and hang on.

 

Howbeit the firm foundation of God stands, having this seal, The Lord knows them that are his: and, Let everyone that names the name of the Lord depart from unrighteousness 2Tim2:19.


Dene Ward

Lessons from the Studio--For Members Only

When my studio was still open I enrolled in several professional organizations.  The one dearest to my heart was the small group here in the county.  We met seven times a year, had our business meeting, followed by a lively program one of us, or sometimes all of us, participated in, then a country potluck lunch that had us all trying to keep our eyes open as we taught that afternoon.

            Keeping the membership up was a constant battle.  We talked to our friends, invited neighbors, even advertised in the weekly paper.  The results barely kept up with the attrition of old age, relocation, and moms going back to work.  Oh, everyone got a kick out of the programs.  No one turned down a free lunch.  But when they found out they would have to work on fundraisers and projects, suddenly everyone was too busy. 

            Some of them paid dues, but never showed up, thinking that was at least a monetary help.  Eventually we decided that if that was all they would do, we would not approach them the next year to renew their membership.  Our state and national affiliation dues were charged per capita, and our minuscule local dues barely covered them.  What we were about wasn’t fun and games and good food.  Our stated aim was to help keep music programs in the poor rural schools and provide scholarships for worthy students to help with the costs of private lessons.  If a member did not have the same interests, he really didn’t belong anyway.

            Isn’t it that way with the Lord’s body?  Too many are on the rolls in name only.  Oh, they may come, but not for the reason the scriptures give.  Assembling with the saints is not about entertainment; it’s about provoking one another to love and good works, Heb 10: 24, 25.  It isn’t about showing off our talents and receiving praise; it’s about edification and giving God praise, 1 Cor 14:26.  It isn’t about whether I approve of what went on or who is there, it’s about communing with the Lord, Matt 26:29.  It certainly isn’t about judging others, their clothing, their words, their actions; it’s about realizing that the Judge of all is watching my worship and deciding whether or not it is acceptable.

            If all I do is sit there waiting to be catered to, or even uplifted for that matter, I have not fulfilled the real duty of meeting with my brethren no matter how many times I sit on that pew, or how long.  Walking in those doors places an obligation on me to act, not react.  Claiming membership means I need to get busy, not be served.  Putting my name on a roll means I do more than put my check in the plate. 

            Eventually my little organization no longer invited members in name only to re-up.  What would happen if the elders did that in the church?  But here is a more sobering thought—the Lord is already doing it.  Is your name still on His list?

 

And I saw the dead, great and small, standing before the throne, and books were opened. Then another book was opened, which is the book of life. And the dead were judged by what was written in the books, according to what they had done… And if anyone's name was not found written in the book of life, he was thrown into the lake of fire. Revelation 20:12,15.

 

Dene Ward