Music

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Lessons from the Studio: It Isn't Perfect

     When I was a music teacher I maintained membership in three different organizations, each of which had a local group, a state affiliate, and a national affiliate.  I filled out application forms of several pages length, provided my resumes, and paid what at times was a hefty fee to be a member.   Because I was a member of these groups, my students had far more performing opportunities, learning opportunities such as master classes, activities like summer music camp, competitions they could enter, and scholarships they could earn. 
     Was any of these organizations perfect in the way they were run or the people who made up their membership?  Not a one, but I never expected them to be.  They were made up of human beings who by definition are flawed and imperfect.  Sometimes the means they used to determine things seemed not the best, even open to things like favoritism and other bias.  But we all made the best of what we had, focusing on the strengths of each association and using them to serve our students as best we could.  We understood the original purpose behind these organizations and focused on that, not the imperfections.
     We all understand things like that.  Who is not a member of a professional organization that leaves them wanting occasionally?  Yet we all put up with it for the good we know it will do us.  That is why I am a little impatient with people who seem to think they should be able to demand a perfect body of people to place their church membership with or else they shouldn't have to bother.  As an old preacher said so long ago, if you go looking for a perfect church you will never find it; but if you do, once you join it, it won't be perfect any longer.
     Let us hasten to add, Christ's church by design is certainly perfect.  Its very existence and function makes known the manifold wisdom of God, Eph 3:9-11.  The problem is the same one that organizations always have—it is made up of people who are not perfect, who forget its purpose, who decide they know better than God, who think they are the only ones smart enough to do things "right."  Certainly it should be our business to correct any practice we find that is unauthorized, correct—or remove--any unrighteous behavior, and constantly tweak the way things are run so that it comes as close as possible to God's original intention.  But when all is said and done, it is still a group of flawed people, people who still make mistakes, and who still sometimes show themselves to be less than they ought to be.  So what?  Find me a perfect group of people anywhere and then we can talk about it.  More than that, show me that you don't put up with flawed, imperfect people in any other context.  Of course you do—starting with your own family.
     So let's cut out the nonsense.  It isn't that you wish to avoid being part of a local congregation because the people are so imperfect; it's that you just don't want to be accountable to a group God specifically designed to help you grow and improve.  You don't want to have elders prying into your life because God holds them accountable for your soul.  You don't want people to love you so much that they come asking what's wrong when you are trying to so hard to pretend nothing is.  You wouldn't even want to be part of God's perfectly run church of perfect people if you could find it. 
     Think today about how much you put up with everywhere else yet won't put up with even a smidgen of when it comes to God's church.  You know in your heart that, as imperfect as they are, no better group of people exists on the planet than those in the Lord's body.  Stop trying to pretend otherwise and use what He has given you for your soul's, and your family's good.

We ask you, brothers, to respect those who labor among you and are over you in the Lord and admonish you, and to esteem them very highly in love because of their work. Be at peace among yourselves. And we urge you, brothers, admonish the idle, encourage the fainthearted, help the weak, be patient with them all. See that no one repays anyone evil for evil, but always seek to do good to one another and to everyone. Rejoice always, pray without ceasing, give thanks in all circumstances; for this is the will of God in Christ Jesus for you (1Thess 5:12-18).

Dene Ward

Lessons from the Studio: The Defeatist Attitude

Because of my membership in three professional organizations and their local branches, my students were able to participate in several piano and voice competitions a year.  By far their favorite was the Florida Federation’s Junior State Convention and Competition.
            We discovered this event by accident when I overheard two teachers talking about it at our District Festival, a ratings-only non-competitive event.  So I asked, and after being told about this competition for district-rated superiors, was also advised not to bother taking any students.  “There are as many as 70-80 in each category, and the winners are always students of some retired concert artist or college professor.  You’ll never win.”
            My students, despite being from the smallest county in Florida, and a rural one at that, took it as a challenge, and every year after that “going to state” was the goal for them all.  And guess what?  We did win, several times, in several events.  My students had come up with their own little uniforms—white shirt, black pants or skirt, and Looney Tunes tie—and it got to the point that I heard people in the audience say things like, “Uh-oh.  It’s one of the kids with the ties!” when they approached the piano or stood up to sing.  We were not only recognized, but actually feared!
            When you make a superior in a group event, like piano duet or piano trio, all parties must attend State in order for that group to compete.  Imagine my surprise when a parent called me a few weeks before the competition telling me that her daughter, who had made a superior in piano duet, would not be attending State Contest.  I knew the partner would be very disappointed.  Then the mother really burst my tea bag when she said, “It’s not like they have any chance of winning anyway.”
            What?  As a matter of fact, piano duet was one of our best categories.  And the partner had already won a second place the year before with another partner.  If my students had gone to State feeling like they could never win anything, they never would have.  They won because they believed they could, and worked toward that goal. 
            I have heard Christians say some things that sound just like that mother.
            “I don’t know if I’m going to Heaven or not, but I sure hope so.” 
            “I don’t know if I sinned Lord, but forgive me if I did.”
            “We’re only human.  We all sin every day.”
            "Even the best of us sin all the time!"
            Just what kind of God do these people think we serve?  A capricious, malicious God who toys with us like a cat with a mouse, or a loving, faithful God who helps us in every way He can, including giving us clear instructions for life, the means to overcome sin, and promises that are real?
            Do you think Paul went at Christianity with such a defeatist attitude?  Every athlete exercises self-control in all things. They do it to receive a perishable wreath, but we an imperishable. So I do not run aimlessly; I do not box as one beating the air. But I discipline my body and keep it under control, lest after preaching to others I myself should be disqualified, 1 Corinthians 9:25-27.  It sounds to me like he expected to win.
            Do you need a little help getting over that defeatist attitude?  Just look at these passages this morning:
            No temptation has overtaken you that is not common to man. God is faithful, and he will not let you be tempted beyond your ability, but with the temptation he will also provide the way of escape, that you may be able to endure it. 1 Corinthians 10:13
            Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you, who by God's power are being guarded through faith for a salvation ready to be revealed in the last time. 1 Peter 1:3-5
            Therefore, brothers, be all the more diligent to make your calling and election sure, for if you practice these qualities you will never fall. For in this way there will be richly provided for you an entrance into the eternal kingdom of our Lord and Savior Jesus Christ. 2 Peter 1:10-11
            In case you didn’t notice, when we have a defeatist attitude, it isn’t so much ourselves we doubt as it is God.  Satan is making inroads in our hearts and calling it “humility.”  It isn’t humility to wonder about my salvation; it’s a lack of faith and trust in a God who has furnished everything I need to know that I am saved. 
            Who are you listening to this morning?
 
Such is the confidence that we have through Christ toward God. Not that we are sufficient in ourselves to claim anything as coming from us, but our sufficiency is from God, 2 Corinthians 3:4-5
 
Dene Ward

Lessons from the Studio: Babes in Opryland

Too many times we studio teachers teach only the instrument, piano and voice in my case, and neglect the other things that make one a well-rounded musician—history, theory, ear training.  So for my students I made up history notebooks focusing on one particular composer each year containing articles, worksheets, and listening labs.  When the makeup of the studio suddenly increased to 40% voice students, I decided to make a notebook with them in mind, one on opera.  Besides, even piano students needed to know about opera.
            I began with worksheets on the history of opera and types of operas.  Then we moved on to study the stories of 5 different operas, followed by a listening lab on one of the more famous arias from each opera.  I live in a rural county.  The closest thing to opera any of these students had ever seen or heard was their grandparents’ reminiscences of Minnie Pearl and the Grand Ol’ Opry.  The answers I received on many of the listening labs often made me laugh out loud and taught me a lot about perspective.
            “Nessun dorma” from Turandot:  (All the recordings were in the original language of the opera.)  On the question, “Describe the melody,” a 6 year old wrote, “Sounds Italian to me.”  How could I argue with that?
            Another question attempted to point out the emotion in the singers’ voices by asking, “Where in the music do you think he sings, ‘I will win!  I will win!’?”  Though it was in Italian it was obvious; even the 6 year old got it.  But one 10 year old thoroughly misunderstood the question and wrote, “I don’t know, but he was so loud, he MUST have been outside somewhere.”
            “La donna mobile” from Rigoletto:  “What are the main difficulties of this aria?”  A 9 year old answered, “He’s trying to get a woman, but can’t.”
            We could not have left out Carmen, though presenting this less than moral character to children took a bit of discretion.  We listened to the “Habanera,” which is, in reality, a dance.  “Carmen likes to flirt a lot.  How does the fact that she is singing to a dance make it sound ‘flirty?’”  A 9 year answered, “It shows she’s pretty smart if she can sing a dance!”
            Because the majority of my singers were 14-16 year old girls, I chose Charlotte Church’s recording over Maria Callas’s version of Carmen.  Charlotte was only 15 at the time and I felt they could better relate to her.  However, this brought about the question, “How is her ability to sing this character likely to change as she gets older?”  Talk about perspective, a 9 year old boy wrote, “She’ll soon be married and she’d better not be flirting with other men!!!!”  But a 16 year old girl wrote--now remember Charlotte was only 15 on this recording--“It won’t be long till she is so old she won’t even remember how to flirt any more.” 
            Was this notebook successful?  When I took up the final exams I wondered.  The first question was “Define opera.”  An 11 year old wrote, “A type of music for men and women where you sing real LOUD.”
            But I also had them write, both at the beginning of the study and at the end, what they honestly thought about opera.  One 14 year old was very tactful at the beginning of the year when she wrote, “I think people who can sing it are very talented.”  But at the end of the year she wrote, “If this is opera, I really like it.  And I learned not to ever say I don’t like something when I don’t really know anything about it.”
            I wonder how many people approach the Bible that way?  They believe it to be a book of myths, a storybook, only a suggestion for how to live, anything but the Word of God when they have absolutely no personal knowledge on the subject.  They have never considered the evidence; they have never made comparisons to other ancient writings that are far less convincing.  We have only 643 copies of Homer’s Iliad but over 5700 copies of the scriptures, and no one ever questions the completeness and accuracy of that Greek epic.  We believe George Washington existed and became our first president.  Why?  Because of eyewitness accounts, the same type of accounts available in historical documents about Jesus.  Even people who accept Jesus as the Son of God, question the validity of the New Testament because it was a translation, yet Jesus himself quoted a translation of the Old Testament, one about as far removed from him in time as the New Testament is from us, and all this barely skims the surface of internal and external evidences validating the Bible.
            My students learned a valuable lesson the year we studied opera:  don’t judge until you check it out yourself.  If you are wondering about the Bible, about Jesus, and even about the existence of a Creator, the only logical and fair thing is for you to do that too.
 
For the word of the cross is to them that perish foolishness; but unto us who are saved it is the power of God. For it is written, I will destroy the wisdom of the wise, And the discernment of the discerning will I bring to nought. Where is the wise? where is the scribe? where is the disputer of this world? hath not God made foolish the wisdom of the world? For seeing that in the wisdom of God the world through its wisdom knew not God, it was God's good pleasure through the foolishness of the preaching to save them that believe. 1 Corinthians 1:18-21
 
Dene Ward

Lesson from the Studio--I Am Not a Babysitter!

I started my music studio when I was 16, teaching students my own teacher had chosen for me from her waiting list.  Every Saturday, 8 little faces showed up at my door for a half hour of piano time each.    
            Unfortunately, they were not the only little faces I saw.  Regularly, their parents would say, “I need to do a little shopping.  They can play outside,” and leave their other children in our front yard, usually far longer than a half hour.  I had been taught to respect my elders and couldn’t even imagine telling them no.  I simply sat there and watched both the small pair of hands at the keyboard and the ever increasing number of children running around the maple tree, jumping up occasionally to open the door and quiet an argument or forestall an accident.  How in the world did they ever expect me to do a good job at piano teaching?
            Once I married and moved into my own home, the free babysitting stopped.  I was an adult now, and it didn’t hurt a bit that my college professor helped us all fashion “studio policy letters” that spelled out what would and would not be tolerated.  “You are a professional with a college degree (soon, anyway) so act like one and they will treat you like one,” we were taught.  No longer was I a free babysitter for the siblings during piano lessons.
            I wonder if our poor preachers and elders need to make a policy letter.  Regularly, the members, who pride themselves on “knowing better” than the denominations about scriptural practices, expect “free babysitting” from the men God has given other duties to perform.  Read Acts 20 with me this morning. 
            Now from Miletus he sent to Ephesus and called the elders of the church to come to him, v 17.  Notice, we are talking about the elders.  In the same context, speaking of and to the same men, Paul says, Take heed unto yourselves, and to all the flock, in which the Holy Spirit has made you bishops (overseers), to feed (shepherd, pastor) the church of the Lord which he purchased with his own blood, v 28.  Did you catch that?  This is one of at least two passages where all the words for elder are used in the same context.  An elder is a pastor is a bishop is an overseer, and there were always more than one in a church.  The preacher is usually not a pastor and certainly not THE pastor of the church.
             I bet you knew that, didn’t you?  But guess what?  He is not THE minister either.  In fact, it’s a mighty sorry church that has only one minister in it.  That word is diakonos and it is used a couple of ways in the New Testament.  The word simply means “servant” but there was also an official position in the church, special “servants” who had specific duties and qualifications as well.  To make the distinction between that role and the other aspect of service, something every Christian is required to do, the translators created a new English word.  They Anglicized diakonos and made the new word “deacon.”  So sometimes that word refers to those specially qualified individuals who took care of the physical needs of the saints and the church as a whole. 
            Yet far more often, that word, and certainly that concept, is used of each individual Christian, as we minister to one another and to the world.  The problem is we don’t want to be ministers (servants).  We want everyone, especially the leaders in the church, to serve us!  How in the world can we expect them to do the job God really gave them when we want free babysitting as well?
            For God is not unrighteous to forget your work and the love which you showed toward his name, in that you ministered unto the saints, and still do minister, Heb 6:9,10.  The writer is not talking to preachers in this verse, and not talking about them in the next.  You know the house of Stephanas, that it is the firstfruits of Achaia, and that they have addicted themselves to the ministry of the saints, 1 Cor 16:15.  Could anyone accuse us of being “addicted” to serving?
            Anyone who serves is a minister.  Some seem to have special abilities and perhaps we could even say they have “a ministry.” And having gifts differing according to the grace that was given to us, whether prophecy, according to the proportion of our faith; or ministry, to our ministry; or he that teaches, to his teaching; or he that exhorts, to his exhorting: he that gives, with liberality; he that rules, with diligence; he that shows mercy, with cheerfulness. Rom 12:6-8.  Some have people in their homes more than others; some teach better than others; some have a special ability to relate to the young people; some seem to know exactly what to say when people are in trouble.  Some of us just do what needs to be done when we see the need.  All of us are supposed to be ministers in one way or another, and we should all reach the point that we don’t need a babysitter any longer. 
            When someone asks you who the minister in your church is, tell them it isn’t one man.  It isn’t even someone else.  It’s supposed to be YOU!
 
But Jesus called them unto him, and said, You know that the rulers of the Gentiles lord it over them, and their great ones exercise authority over them. Not so shall it be among you: but whosoever would become great among you shall be your minister; and whosoever would be first among you shall be your servant: even as the Son of man came not to be ministered unto, but to minister, and to give his life a ransom for many.  Matt 20:25-28.
 
Dene Ward

Music Theory 101 Sightsinging

I never had much trouble sightreading piano music.  You read the note, you find it on the piano, and you play it.  I wasn’t perfect by any means—trying to read music and translate that to a mental keyboard in your mind and then have your hands immediately go to the correct place on the real keyboard in just a matter of milliseconds takes a quick mind and perfect eyesight, neither of which I had even then.  But for the most part I was a good music reader and got the job done, even if I did have to slow the tempo down so I could play in the correct rhythm too. 
            Then I got to college theory classes and was expected to sightsing!  Now that is a completely different issue.  Looking at a page of notes and singing them seemed like an impossible task to me.  It takes a natural ear.  If you don’t have one, you have to train it.  I had to put mine through boot camp the entire first year of theory classes.  Eventually I learned to do it—I could look at a piece of music and sing the notes, without accompaniment of any kind, not even chords to keep you in the right key.  I wasn’t any more perfect at it than I was at the piano, probably less, but I was musician enough to pass my tests, classes, and juries, and to make two college choruses and a women’s sextet.
            Most of the hymns in our books are written in standard major keys, with standard four part harmony.  They are nothing like the music I had to sightsing in college, so I can usually sightsing them without too much trouble.  It’s sort of like being asked to boil an egg when you have been making soufflĂ©s for four years--simple.  Most of the congregation, though, do not have the advantage of being trained musicians and they just sing it the way they first heard it, which in many cases was incorrect. That means that very often I stick out like a sore thumb (or a sour note).
            I have tried to sing what everyone else is singing just so I won’t, but I have trained myself so diligently that I can’t.  I’m a musician—I see the note, I sing what I see.  We were singing “When We All Get to Heaven,” the other day, and every time (at least three) I sang it right I created a clash that was hard to go unnoticed.  “Leaning on the Everlasting Arms” creates at least five such clashes.  With “Amazing Grace” the list is nearly as long as the song itself.
            But you know what?  While I don’t want to cause those clashes, my training makes it nearly impossible to sing the songs wrong, and my desire to please God by obeying His commands to sing makes it completely impossible for me to stop singing.
            Isn’t that the way life is supposed to be for a Christian?  You really don’t want to clash with your neighbors.  You really want to “live peaceably with all men.”  But you should have trained yourself so well that you find it nearly impossible to sin.  Sticking out like a sore thumb shouldn’t matter to you.  Yes, it may be difficult, but no one ever promised us “easy.”  We are supposed to be different from unbelievers.  We are supposed to “conform to the image of His Son,” not to the world. It should be a habit by now.
            Sometimes when I sing things correctly, but differently, I get funny looks.  Once, a song leader even went to the microphone when that section came up on the next verse so he could sing the (wrong) note loud and clear.  I guess he heard my different note on the first verse and it bugged him. 
            This coming Sunday morning, if you hear someone sing a different note than you are singing, maybe you should check the notes you are singing.  Then do something much more important.  Use it as a reminder to check your life.  Could anyone tell you apart from your neighbors, or do you blend right in?  Out there in the world, you should be sightsinging a completely different tune.
 
But the wisdom from above is first pure—then peaceable
James 3:17.
Do not be conformed to this world, but be transformed
Rom 12:2.
 
Dene Ward

Lessons from the Studio--I Can Always Tell Which Ones Are Yours

When I was teaching piano and voice, besides my own annual Spring Program and Awards Ceremony, my students sometimes participated in as many as seven joint recitals a year, programs featuring the students of several teachers at once. 
            Sometimes the students were chosen according to their age—the Young Performer’s Recital was strictly for talented beginners.  It was their chance to shine rather than being lost among a studio’s advanced students.  Sometimes it was all about their music—the Parade of American Music featured students playing or singing the music of American composers.  If his best piece that year was Mozart’s Rondo in D, that particular student was ineligible.
            Sometimes a panel of judges chose the students based on their performances in a recent competition.  The year we had five chosen for the Student Day Honors Recital was a banner year for us.  To have one or two chosen from a group of over two hundred students from a dozen studios was a good showing.  Five was almost unheard of.
            At the receptions after these events, we teachers always enjoyed basking in our students’ successes.  We mined each other for teaching strategies and resources.  The experience exposed us to more crowd-pleasing music we could use with our own students, and our students to teachable moments we could discuss at the next lesson.  They could see for themselves why I insisted on such picky things as not taking your fanny off the seat until your hands left the keys when a student from another studio stood up without doing so, looking as if someone had glued her fingers to the ivory.  They could hear why long fingernails were verboten when it sounded like someone was trying to tap dance to Debussy and Haydn.  It also worked wonders for parental attitudes—suddenly they appreciated things they had before viewed as silly.
            My favorite moments after these recitals came when people approached me with these words:  “I can always tell which ones are yours.”  It wasn’t because they played or sang particularly well—every student at these recitals did that—but not every student performed well.  We spent hours on things like how to approach or leave the piano, how to hold a pose over a final note, what to do in a memory lapse, how a singer should hold the mood until the accompaniment stops, and especially how to bow.  It’s one thing to know your piece; it’s another to be able to present a polished performance of it to an audience.
            Sometimes I imagine God as the teacher watching our performances.  He knows we can do it.  He gave His Son to show us how.  
because Christ also suffered for you, leaving you an example that you might follow in his steps, 1 Pet 2:21.  I don’t think it is out of line to think of the angels saying to Him, “I can always tell which ones are yours.”  Isn’t that the picture we get in Job 1?  Perhaps not literally, but in essence if nothing else. 
            If life is one big recital, we should learn from the performances of others—what to do, what not to do, why some of the picky things we have always heard are important after all.  We should learn from our own mistakes as well—why do I always miss the same note?!  Your daily practice should take of that.
            God is in the audience, along with all those celestial beings we read about.  As a proprietary teacher myself, I can easily imagine that He wants to hear from them, “I can always tell which ones are yours.”
 
By this it is evident who are the children of God, and who are the children of the devil: whoever does not practice righteousness is not of God, nor is the one who does not love his brother. 1 John 3:10
 
Dene Ward
 

Songs in the Night

In the past few years I have found myself fighting sleepless nights on more than one occasion.  Keith always tells me that when that happens to him, he sings hymns in his mind until he falls back asleep.  I have yet to find a better thing to do, unless it is praying, but often they are the same.  How many songs can you find in your hymnals that are nothing more than prayers set to music?  I have a feeling that most of David’s psalms follow that same pattern.
            I recently found a phrase in the middle of a scripture that made me smile, even though the context didn’t.  Still, I think pulling that phrase out of its context is not wresting the scriptures in this case.  “God my Maker, who gives songs in the night,” Job 35:10.  I wonder how many times those hymns have popped into our heads because a loving God sent them our way to help calm us and reassure us.
            The righteous sing for joy on their beds, Psalm 149:5.  After I found that verse, I began to wonder why “bed” was particularly mentioned, just as “night” was in Job. 
            Perhaps it is a metaphoric allusion.  We take to our beds when we are seriously ill.  I can get up and do things when I have a cold, but if I am really sick, I am in bed.  People who are nearing death are usually in bed, in fact, we call it the “death bed.”  In times of worry, when we try to sleep, we find ourselves tossing and turning in bed, just as I have done so often recently.  Why would we be inclined to sing at those times?
            Isn’t it obvious?  If we are God’s children, we have hope, we have a foundation of joy in our lives that keeps us grounded, and that joy often shows itself in song.  Even in prison, having been beaten and wondering what the morning would bring, Paul and Silas sang hymns of praise “at midnight,” Acts 16:25.  They weren’t in a comfortable bed, but the “nighttime” of trouble was upon them.  Even from childhood, aren’t we all just a little afraid of the dark?
            Do not think it strange that songs often come to us during these times.  Our God does not leave us desolate.  He gives us songs in the “night,” songs of comfort, songs of hope, songs of praise for his grace and love, songs of encouragement, songs of edification and even chastisement.  Those songs would not come to your mind without a God who cared enough not only to send his Son, but to send you songs in the times you need them most, in the night time of sorrow and fear and pain. 
            Often the grace of God comes in a song that keeps going round and round in your mind.  It’s up to you to sing it.
 
By day the LORD commands his steadfast love, and at night his song is with me, a prayer to the God of my life. Psa 42:8
 
Dene Ward

Lessons from the Studio: The Policy Letter

Just as I was taught in my college pedagogy classes, I ran my music studio with a policy letter.  It explained what the students and parents could expect of me and what I expected of them.  It explained the payment schedule, and all the things they received for their money—far more than the minutes I spent parked on the bench next to their child.
            The letter also explained my “instant dismissal rules.”  The trick to instant dismissal rules is to have very few, but to enforce the few you do have without fail.  Suddenly you are being treated like a professional instead of the little old lady down the street who teaches a piano lesson or two to pass the time.  I was a professional, the professors told me, with 13 years of training—about as much as a doctor, so I did deserve to be treated that way.  I went over the letter at an interview before ever accepting a student—especially the instant dismissal rules--and the parents signed it and kept a copy.
            My instant dismissal rules?  If you miss seven lessons in the year, whether excused or not, you are dismissed.  If you miss three consecutive lessons, whether excused or not, you are dismissed.  Those two were as much for the student and his parents as they were for me.  If a child was missing that much, he wasn’t getting his parents’ money’s worth.  It also wasn’t fair to my two year waiting list to have to wait for a spot held by a child who was seldom there.  Since the applicants had come from that list themselves, they understood that point immediately.
            My last rule was this:  if you miss the Spring Program you are instantly dismissed.  Why?  I spent at least $200 a year on my annual program in recital hall rent, refreshments, paper goods, printing, and props.  Besides solos, we always had group numbers, and if one child missed, it wrecked a whole piece for several students, not just him.  And finally, this was my advertising; this was how I showed the parents that I was worth the money they were spending.  A wrecked Spring Program was a business disaster.
            In 35 years I think I invoked the instant dismissal rule only twice.  One student was ready to quit anyway, so she simply didn’t show up for the Spring Program.  She knew exactly what she was doing, and since I halfway expected it, I managed to keep the damage to a minimum.
            But another time, a young man who was doing very well didn’t show up and had not called ahead.  (Yes, if there was a legitimate emergency I was not a Hard-Hearted Hannah.)  No one else knew where he was either, and I had to scramble at the last minute to find an older, accomplished student who could pinch hit for him with no warning.
            The next morning I called his mother and told her he was dismissed and why.  Her reaction?  She was furious.  “We had company!” she exclaimed, and I then made mention of the policy letter she had signed, telling her that her company would have been more than welcome.  “That old thing?  I haven’t even looked at it since you handed it to me.  How am I supposed to remember all that stuff?”
            Any time I tell that story, people are horrified at that mother’s attitude.  Her son’s piano lessons obviously meant nothing much to her.  Yet while we will shake our heads at that story, we often do the same thing to God.  Imagine the mother above had been talking about the Bible. “That old thing?  I haven’t even looked at it since you handed it to me.  How am I supposed to remember all that stuff?”  I have a feeling some will try the same line on God at the end of the “term,” and will find out the God enforces his instant dismissal rules too. 
            My Spring Program was also an awards ceremony.  I managed to find enough things to award that any child who worked at it even a little could win something.  Only a few walked away with first or second place trophies from State Contest, yet anyone who came to every lesson, or met the make-ups I offered for excused absences, could win a perfect attendance ribbon.  If a student went away empty-handed it was because he didn’t try, and for no other reason.
            God is going to be handing out awards too, and you get the big one for simply following the rules in the policy letter and doing your best every moment.  Pull it out today.  He does expect you to read it.  He does expect you to remember it.  He doesn’t even mind if you bring your company with you.  But don’t expect Him to change the rules just for you.
 
He will render to each one according to his works: to those who by patience in well-doing seek for glory and honor and immortality, he will give eternal life; but for those who are self-seeking and do not obey the truth, but obey unrighteousness, there will be wrath and fury. Rom 2:6-8
 
Dene Ward

Lessons from the Studio--From A Babe

Now that I have tried to encourage the late beginners, it’s time to work on the rest of us—the ones who have been there, claiming to lay hold on the hope of life eternal from childhood.
            I once had a 6 year old piano student who progressed faster than any other that age.  Her mother had limited her children to one extracurricular activity and this one chose piano.  Because she was limited in how thinly she spread herself by a wise parent who knew that even children can suffer from stress, she regularly practiced more than I asked of her and could pick up on concepts that often had older students completely stumped.  She had “trained her powers of discernment by constant practice.”  Is it any wonder that I was ready to put her in a competition her first year, instead of waiting a year as I usually did?  Is it any wonder that she won first place at her level at a state competition the first time she went?
            When I was a child, people in the church were known for their Bible knowledge.  What has happened to us?  People who have been Christians for thirty or forty years cannot find their way through the Old Testament.  They cannot quote standard proof-texts.  When they try to recall those basic old stories, Jacob winds up married to Rebekah and Isaac to Rachel; Moses builds the ark and Daniel gets tossed into the fiery furnace.  You hear them introducing the preacher as either the Pastor or THE Minister of the church, as if there were only supposed to be one person serving in God’s family.  Hosea’s warning rings frighteningly in my ears--My people are destroyed for lack of knowledge, 4:6.
            When I was young, children actually came home from school every afternoon.  Families actually ate their evening meals together.  Television time and content was limited by parents who were home to supervise their children. 
            As we said last time, we apply the passage in Heb 5, what it takes to learn and grow, in every aspect of life BUT the one it was meant for.  We know what it takes to get a promotion at work, or to keep a job.  We know what it takes to pass a written driving test.  We know what we must do if we hope to learn anything new, whether a sport or art or subject we are interested in.  There is no excuse for not doing this with the subject we claim to be more important than any other in our lives.
            I find myself wondering what would happen if we made it a point to limit our children’s activities like the mother of my young student, so that there would be time for family Bible studies every night.  What if we turned that television off just one night a week, or turned it off one hour earlier every night so that we could study?  As a teacher, I can tell you what would happen.  We would KNOW God’s word, and with it in our hearts we could not help but BE better people.
           
With my whole heart I seek you; let me not wander from your commandments!
I have stored up your word in my heart that I might not sin against you.
Blessed are you, O LORD; teach me your statutes!
With my lips I declare all the rules of your mouth.
In the way of your testimonies I delight as much as in all riches.
I will meditate on your precepts and fix my eyes on your ways.
I will delight in your statutes; I will not forget your word.
 Psalm 119:10-16
 
Dene Ward

Lessons from the Studio: The Older Beginner

I taught piano from the time I was 16 years old, and earned a degree in music education (piano and vocal) with a stress on piano pedagogy.  It seemed the ideal way to help with our family income without leaving my children.  Indeed, my children were also my students, and any time I had to go out of town for a competition they went too.
            I had students ranging in ages from 4 to 80, and I usually found that the students on the extreme ends of that range were the ones who took most of my energy.  I once had a 70 year old from a town 30 miles distant.  He was a real joy because of his intense interest and zealous practice.  He studied his theory lessons so hard that he regularly came to his lesson with a list of questions that took nearly half his allotted time to answer. 
            Once, when we were studying chords, he despaired at ever being able to instantly play one from its symbol alone.  Memorizing the difference between an A7, Am7, Adim7, AMaj7, as well as the standard A, Am, A+, and Adim took him several minutes and a lot of concentration. 
            “You do it!” he once said in exasperation, pushing the theory book my way on the rack, and I calmly played them one after the other simply by reading the symbols.
            “How long till I can do that?” he grumbled.
            I reminded him that I have been at this since I was 7, and had four years of college theory under my belt, too.  It would be a shame if I couldn’t do it.
            That reminded me of Heb 5:12-14:   For though by this time you ought to be teachers, you need someone to teach you again the basic principles of the oracles of God. You need milk, not solid food, for everyone who lives on milk is unskilled in the word of righteousness, since he is a child. But solid food is for the mature, for those who have their powers of discernment trained by constant practice to distinguish good from evil.
            We apply that principle to life without thinking, as he did to his music lessons, but we want to make excuses when it comes to spiritual matters.  My student, because of his diligent practice and meditation on the theoretical aspects of music and harmony, had come a long way in a short time.  Though he might have been impatient with himself, when I asked him to go back to a piece he had struggled with the year before and he found it simple to play, he could recognize his growth and improvement.  He “trained himself with constant practice” and was ready for some pretty solid food in the way of piano compositions and music theory.
            It is easy to look down on yourself when all you see is your failings and others’ abilities.  If you became a Christian later in life, not having grown up with the Bible narratives taught in every children’s Bible class, not having heard sermon after sermon for years, it will be a struggle for you to catch up.  If you have simply sat on a pew handed down as if it were an inheritance, and only wakened to your commitment to the Lord as an adult, you might be behind, too. 
            There is a wealth of information in the scriptures, and as you get older, learning seems to take far more effort.  For me numbers especially become more and more confusing.  I remember passages because I memorized them as a child.  Start calling out numbers to me now and they will leave my mind immediately, or, if somehow remembered, will come out transposed. 
            Don’t give up—just practice more.  If a 70 year old man can learn chord symbols, if he can play thirteen major scales, and thirteen minors in all three variations, if he can become one of the best music students I ever had, you can certainly do the same for God.  And if you ever despair, take a look back a year or so ago.  Don’t you see the improvement?  Don’t you see the fruit of your effort?  You know more, you understand more, you can even answer questions you could not have comprehended when you first started.
            That is, you can, if you have been working at it.
 
Practice these things, immerse yourself in them, so that all may see your progress, 1 Tim 4:15.
 
Dene Ward